Matsuura Kengyō
松浦 検校
作曲 & 三弦
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He is a representative composer of Nagauta during the cultural and cultural era (1804-1830) and was active in Kyoto. He composed the artistic shamisen songs, and at the same time, he began to compose Kyoto's original songs, which had a different tendency from the previous ones. "This new work activity of Matsuura Kengyō is linked to the composition activities of Koto such as Kawarasaki Kengyō and Urasaki Kengyō . All of the new works of the Koto will be performed, and here a new style called Kyo-ryu or Kyo-style koto will be completed. It seems that he was very wealthy because he belonged to the landowner's family (also the Sumitomo family) called Mr. Ota. He had excellent hearing and was invited to play at a certain house, and although he was ready, he did not start playing, so when asked, "Because the shamisen box in the back has not been cleaned up, the sound is bad."
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| 別名 Kubo Ichi |
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作曲・編曲
| 三弦 の作品 | |||
| タイトル | 漢字 | 年 | 別題 |
| Saga no Haru | 嵯峨の春 |
Spring in Saga | |
| Sato no Akatsuki | 里の暁 |
Daybreak in the Village | |
| Shiki no Nagame | 四季の眺 |
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| Shin Ukifune | 新浮舟 |
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| Shinya no Tsuki | 深夜の月 |
The Moon at Midnight | |
| Tama no Utena | 玉の台 |
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| Tori Oi | 鳥追 |
Chasing Birds Away | |
| Uji Meguri | 宇治巡り |
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| Yotsu no Tami | 四つの民 |
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| Sue no Chigiri | 末の契 |
cir. 1790 |